Since I started Acme Production Services in 1985, I’ve shot well over 1000 projects.

DOCUMENTARY/BROADCAST: CBS, NBC, ABC, PBS, CNN, Discovery, National Geographic, History Channel, Travel Channel, Food Network, Learning Channel, Court TV, NHK (Japan), ARD (Germany), Channel 4 (UK), RAI-Italian TV, Brazilian TV, This Week in Baseball, NBA, Healing Planet, Bill Nye…EPKs: “Disclosure”, “Mr. Holland’s Opus”, “The “Fugitive”, “Citizen Baines”, others

INDUSTRIALS: Microsoft, Weyerhaeuser, Safeco, AT&T, Quest, Nike, Kodak, Philips, Capital One, Nordstrom, Alaska Airlines, AFL-CIO, SEIU, Icos, Onyx, Internap, Crews Control, Crew Connection, Assignment Desk, plus dozens of other corporations, medical facilities, government agencies, non-profits, and independent production companies.

COMMERCIALS: NW Blood Centers, Argosy Tours, Red Hook, CASA, Evening Magazine, Titus Will. Columbia Crest Wines, NW Ford (gaffer.) Plus many local spots and numerous national and regional POLITICAL SPOTS.

DRAMA/ART: DP on numerous 16 and 35mm dramatic shorts shown at festivals around the country. B camera, 2nd Unit, or pick up DP for several features (HD and 16mm.) Art projects for Chihuly Inc. and Frank Video.

OTHER:  I shoot time-lapse and STOCK FOOTAGE, represented by the FILM BANK, Los Angeles , and HOT SHOTS/COOL CUTS, New York .

EARLY WORK IN SEATTLE: Three years of free-lance work for KCTS/9 (PBS, Seattle), camera operator for National Mobile Television: more than 150 professional and collegiate sporting events for CBS, NBC, ESPN, TNT networks and for the Goodwill Games (Venue and scenic aerials, track/field, yachting)

1979-83: MQ/TV, Missoula, Montana. Cameraman/editor for 6 Broadcast
Documentaries, plus numerous commercials, PSAs, educational and arts
programs.
 

EDUCATION:

BA , French.  Post Graduate work Radio/TV, University of Montana

DP Workshops with Haskell Wexler, Russ Carpenter, Gerald Herschfeld, others.

Maine International Film and Video Workshops

 

I’m comfortable with all types of shooting, from drama to documentary. I love the variety of my work, all the places I’ve been and the people I’ve met. I’ve shot in board rooms and operating rooms, classrooms and green rooms, in Federal court and on half courts, in blood banks and savings banks. I’ve shot breast implants and in treatment plants. I feel at home in the wilderness or in the concrete jungle.

At the beginning of the month I never know where I might end up. Over the years I’ve shot from trains, planes, and automobiles, as well as gliders, helicopters, seaplanes, bi-planes, gondolas, ski lifts snowmobiles, and dog sleds. Subways, buses, bicycles, motorcycles, Fisher and Pee-wee, and doorway dollies. Tulip cranes and construction cranes, scissor lifts, and lift trucks, semi trucks and roller blades. Roller coasters and Ferris wheels. Wheel chairs, magliners, ocean liners, cruise ships, and cargo ships. Tug boats and speed boats, factory trawlers and ferries. Sailboats, rafts, canoes, and kayaks.

I enjoy the freelancer’s life, working with all types of people, both in front of and behind the camera.